YOU TELL ME – The beautiful new collaboration from the supremely gifted PETER BREWIS of ‘Field Music’ & supreme contemporary folk band ‘Admiral Fallow’ Member SARAH HAYES.
We are delighted to say that they are paying us a visit on THURSDAY 10TH January at 12:30pm – for a super intimate lunchtime show.
Free entry of course, with priority pre order of the new LP recommended. You couldn’t wish for a better lunch break to start your new year!
When? – 12:30pm, Thursday 12th January 2019
How much is it? – Pre Order the LP HERE (On Highly Limited Dinked Edition LP) and you will get you x 2 spaces for the show
Where? – At Pie&Vinyl, your friendly Independent Record Shop.
We will send you an e mail with some instructions on collecting your record and securing the best spots in the shop near to the event.
We will also have a limited pie for sale in tribute to guys, chosen by themselves!
Join our FB event Here
Thanks for your support!
More on the record below.
You Tell Me is Field Music’s Peter Brewis and Admiral Fallow member Sarah Hayes. As one half of Field Music, Peter Brewis has been honing the craft of pop songwriting for almost fifteen years, whilst Sarah Hayes has been exploring contemporary folk in her solo work, and the world of indie-pop via her band Admiral Fallow. Their debut self-titled album, the last to be recorded at the old Field Music recording HQ, is set to be released in January on Memphis Industries.
After meeting at a Kate Bush celebration concert, the pair clicked. “I’d been an admirer of Field Music for a good while before meeting Peter at the gig,” Sarah recalls. “So I was pleased to discover he wasn’t an insufferable diva, and delighted that he was keen to try working on some music together.” Peter had been “blown away” by Sarah’s voice during a rendition of “This Woman’s Work” and when investigating her solo work heard a lot of parallels to what he was trying to do in Field Music.
By blending their distinct compositional talents, they’ve created a record that possesses their own clear styles but also a new voice too. With both of them writing songs and lyrics, Peter describes it as “a sort of dual-personal record”. Sonically, the result is a subtly crafted album with a rich and intricate sense of composition, in which strings glide above multi-layered keyboards and percussion, and vocal melodies wrap around one another in snug unison. In many senses it feels like a classic songwriter record – rich in craft, songs, arrangements and vocal interplay – yet it manages to feel stylistically contemporary and void of nostalgia.
Lyrically, Peter says, “most of the songs seemed to either be about conversations, be conversational or about talking or not talking.” Sarah echoes this: “the subject of communication – talking and listening, guessing and questioning – looms large on this record and in general for me. It’s something I think about a lot.” Which makes sense given that this record is fundamentally a musical conversation between two new collaborators and friends, a constant back and forth of new ideas, shared influences and the expunging of inner feelings.
Whilst the subject matter can occasionally be personal and explores troubled or conflicted conversations around inner turmoil, there’s also a stirring sense of beauty that comes from the record; a feeling of pastures new and moving onto new things rather than being held back by the past. What makes this an even more remarkable musical statement and achievement is that two first-time collaborators were able to channel so much of themselves into a project and create something coherent and poised.